Browse Items (3 total)
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The Search for Generational Memory
Author: Hareven, Tamara K.Date: 1992Publication: KriegerLanguage : enFind in a library: 20852879Essay describing the popularity of American search efforts for "generational memory" - or the shape of one's personal and social origins - through genealogy, oral history, and the new social history movement of the middle twentieth century. Uses the example of Alex Haley's 1976 book, "Roots," as an influence on such popular efforts, and an instance of American historical and cultural identity-searching whose precedents can be traced to the beginning of the twentieth century. Exposition on the craft of oral history and the type of knowledge it generates. Written by the author of "Amoskeag: Life and Work in an American Factory-City" (1978), which focuses on the Amoskeag Mills of Manchester, New Hampshire and its workers. -
Postnational United States Regional Hinterlands : Proulx's Ethnic Working-Class Communities in Accordion Crimes
Author: Werden, DouglasDate: 2009Publication: Lexington BooksLanguage : enSource : PreviewFind in a library: 233030405Essay analyzing Annie Proulx's novel, "Accordion Crimes," according to the ethnic groups, working-classes, and cultural identities its characters simultaneously challenge and represent. A mid-1990s United States commentary on assimilation, acculturation, race, and place-identity in which this article's author situates the novel. The symbol of the accordion across cultural and geographic lines, within and across certain immigrant communities in the United States, in environments that temper American myths of upward mobility, and within musical communities of diverse qualities.Tags African Americans, Basque, Cajuns, Chicago IL, Creoles, German Americans, Immigration, Iowa, Italian Americans, Literary Works, Literary Works -- Criticism and History, Louisiana, Maine, Mexican Americans, Minnesota, Montana, Music, Polish Americans, Québec, Sicilian Americans, Viennese Americans, Violence -
Postnational United States Regional Hinterlands : Proulx's Ethnic Working-Class Communities in Accordion Crimes
Author: Werden, DouglasDate: 2009Publication: Lexington BooksLanguage : enSource : PreviewEssay analyzing Annie Proulx's novel, "Accordion Crimes," according to the ethnic groups, working-classes, and cultural identities its characters simultaneously challenge and represent. A mid-1990s United States commentary on assimilation, acculturation, race, and place-identity in which this article's author situates the novel. The symbol of the accordion across cultural and geographic lines, within and across certain immigrant communities in the United States, in environments that temper American myths of upward mobility, and within musical communities of diverse qualities.Tags African Americans, Basque, Cajuns, Chicago IL, Creoles, German Americans, Immigration, Iowa, Italian Americans, Literary Works, Literary Works -- Criticism and History, Louisiana, Maine, Mexican Americans, Minnesota, Montana, Music, Polish Americans, Québec, Sicilian Americans, Viennese Americans, Violence